[{"data":1,"prerenderedAt":995},["ShallowReactive",2],{"content-/tokyo-soundscape-plan":3,"all-pages-for-dir":975,"related-/tokyo-soundscape-plan":976,"og-image-/tokyo-soundscape-plan":994},{"id":4,"title":5,"body":6,"category":960,"concepts":960,"description":961,"extension":962,"meta":963,"navigation":889,"ogImage":960,"path":964,"project_name":960,"published":965,"publishedAt":966,"seo":967,"source":960,"stem":968,"tags":969,"todo":960,"unpublished":965,"updatedAt":960,"__hash__":974},"pages/2026-02/2026-02-13/tokyo_soundscape_plan.md","Tokyo Soundscape Project 企画書 - 消えゆく東京の音を録り続ける",{"type":7,"value":8,"toc":916},"minimark",[9,14,18,25,38,41,45,49,66,69,80,83,105,108,124,126,130,134,139,143,169,173,196,200,223,227,250,254,277,281,299,303,320,324,365,367,371,375,381,389,391,395,398,402,413,417,428,432,446,450,464,468,482,485,505,507,510,514,522,526,546,550,576,578,582,649,655,657,661,688,695,697,701,705,853,856,873,875,878],[10,11,13],"h1",{"id":12},"tokyo-soundscape-project-企画書","Tokyo Soundscape Project — 企画書",[15,16,17],"h2",{"id":17},"コンセプト",[19,20,21],"p",{},[22,23,24],"strong",{},"「消えゆく東京の音を、毎年同じ場所・同じ時間で録り続ける」",[26,27,28,32,35],"ul",{},[29,30,31],"li",{},"時間の不可逆性そのものが作品の価値になる",[29,33,34],{},"1本1本は地味でも、10年分溜まったとき圧倒的な価値が出る",[29,36,37],{},"外国人にとっては「異世界の日常音」、日本人にとっては「失われていく音の記録」",[39,40],"hr",{},[15,42,44],{"id":43},"youtube-チャンネル設計","YouTube チャンネル設計",[46,47,48],"h3",{"id":48},"チャンネル名候補",[26,50,51,56,61],{},[29,52,53],{},[22,54,55],{},"Tokyo Soundscape Archive",[29,57,58],{},[22,59,60],{},"Sound of Tokyo — 東京音景",[29,62,63],{},[22,64,65],{},"Tokyo Sonic Diary",[46,67,68],{"id":68},"動画タイトルフォーマット",[70,71,76],"pre",{"className":72,"code":74,"language":75},[73],"language-text","[エリア] × [音の種類] × [年]\n","text",[77,78,74],"code",{"__ignoreMap":79},"",[19,81,82],{},"例：",[26,84,85,90,95,100],{},[29,86,87],{},[77,88,89],{},"Asakusa Nakamise Morning — Tokyo Soundscape 2026",[29,91,92],{},[77,93,94],{},"Sanja Matsuri Drumbeat — Tokyo Soundscape 2026",[29,96,97],{},[77,98,99],{},"Yamanote Line Station Melodies — Complete Collection 2026",[29,101,102],{},[77,103,104],{},"Ameyoko Year-End Rush — Tokyo Soundscape 2026",[46,106,107],{"id":107},"動画の長さ",[26,109,110,117],{},[29,111,112,113,116],{},"作業用BGM需要：",[22,114,115],{},"30分〜2時間","（広告収益に有利）",[29,118,119,120,123],{},"ショート版：",[22,121,122],{},"1〜3分","（発見用・拡散用）",[39,125],{},[15,127,129],{"id":128},"録音スポット一覧スライドごとの構成案","録音スポット一覧（スライドごとの構成案）",[46,131,133],{"id":132},"スライド1-タイトルコンセプト","スライド1: タイトル＆コンセプト",[26,135,136],{},[29,137,138],{},"プロジェクト名、ビジョン、「不可逆な時間を録る」というテーマ",[46,140,142],{"id":141},"スライド2-仲見世通りnakamise-dori","スライド2: 仲見世通り（Nakamise-dori）",[26,144,145,151,157,163],{},[29,146,147,150],{},[22,148,149],{},"録る音",": シャッターが開く音（早朝）、呼び込みの声、外国人観光客の多言語の喧騒、おせんべいを焼く音",[29,152,153,156],{},[22,154,155],{},"時間帯フォーマット",": 5AM（静寂）→ 10AM（準備）→ 14PM（ピーク）→ 20PM（閉店）",[29,158,159,162],{},[22,160,161],{},"なぜ消える",": 店主の高齢化、インバウンド向け店舗への入れ替わり、呼び込みの口上が変わる",[29,164,165,168],{},[22,166,167],{},"写真イメージ",": 早朝の無人の仲見世、昼の混雑、シャッターを開ける店主の手元",[46,170,172],{"id":171},"スライド3-三社祭sanja-matsuri","スライド3: 三社祭（Sanja Matsuri）",[26,174,175,180,186,191],{},[29,176,177,179],{},[22,178,149],{},": 太鼓、掛け声「ソイヤ！ソイヤ！」、神輿の軋み、祭囃子、群衆の歓声",[29,181,182,185],{},[22,183,184],{},"年1回限定",": 5月第3週の金土日のみ。毎年同じポイントで録ることで年ごとの変化が見える",[29,187,188,190],{},[22,189,161],{},": 担ぎ手の高齢化、祭りのルール変更、周辺の都市開発",[29,192,193,195],{},[22,194,167],{},": 神輿を担ぐ群衆、法被姿の担ぎ手、浅草寺前の熱気",[46,197,199],{"id":198},"スライド4-駅メロディstation-melodies","スライド4: 駅メロディ（Station Melodies）",[26,201,202,207,213,218],{},[29,203,204,206],{},[22,205,149],{},": 山手線全29駅の発車メロディ、ホームアナウンス、電車の到着音、改札のタッチ音",[29,208,209,212],{},[22,210,211],{},"外国人ウケ",": 極めて高い。「日本の駅にはそれぞれテーマソングがある」という事実自体が驚き",[29,214,215,217],{},[22,216,161],{},": メロディは定期的に変更される。旧メロディの録音は後から入手不可能",[29,219,220,222],{},[22,221,167],{},": 各駅の駅名標、ホームの風景、電車が入ってくる瞬間",[46,224,226],{"id":225},"スライド5-商店街shotengai","スライド5: 商店街（Shotengai）",[26,228,229,234,240,245],{},[29,230,231,233],{},[22,232,149],{},": 魚屋の掛け声、惣菜屋の揚げ物の音、自転車のベル、店のラジオ、夕方のチャイム",[29,235,236,239],{},[22,237,238],{},"候補エリア",": 谷中銀座、砂町銀座、戸越銀座、アメ横",[29,241,242,244],{},[22,243,161],{},": 個人商店の廃業、チェーン店化、商店街自体の消滅",[29,246,247,249],{},[22,248,167],{},": 狭い通路に並ぶ店舗、買い物客、夕暮れの商店街",[46,251,253],{"id":252},"スライド6-浅草寺-境内senso-ji-temple-grounds","スライド6: 浅草寺 境内（Senso-ji Temple Grounds）",[26,255,256,261,266,272],{},[29,257,258,260],{},[22,259,149],{},": 鳩の羽音（早朝）、お賽銭の音、読経、おみくじを振る音、手水舎の水音",[29,262,263,265],{},[22,264,155],{},": 5AM（鳥と掃除）→ 12PM（観光客）→ 21PM（静寂と虫の音）",[29,267,268,271],{},[22,269,270],{},"季節フォーマット",": 正月の喧騒 → 春の風 → 夏の蝉 → 秋の虫 → 除夜の鐘",[29,273,274,276],{},[22,275,167],{},": 早朝の無人の本堂、昼の混雑、夜のライトアップ",[46,278,280],{"id":279},"スライド7-隅田川沿いsumida-river","スライド7: 隅田川沿い（Sumida River）",[26,282,283,288,294],{},[29,284,285,287],{},[22,286,149],{},": 水上バスのエンジン音、屋形船の宴会音、花火大会、川面を渡る風",[29,289,290,293],{},[22,291,292],{},"季節イベント",": 隅田川花火大会（7月）は毎年録ると年次比較ができる",[29,295,296,298],{},[22,297,167],{},": スカイツリーと川面、屋形船、花火",[46,300,302],{"id":301},"スライド8-築地場外豊洲tsukijitoyosu","スライド8: 築地場外・豊洲（Tsukiji/Toyosu）",[26,304,305,310,315],{},[29,306,307,309],{},[22,308,149],{},": セリの掛け声、発泡スチロールを運ぶ音、包丁でマグロを切る音、ターレの走行音",[29,311,312,314],{},[22,313,161],{},": 築地→豊洲の移転で音環境が激変した実例がすでにある",[29,316,317,319],{},[22,318,167],{},": 早朝の市場、マグロの解体、ターレが行き交う通路",[46,321,323],{"id":322},"スライド9-日常の日本音コレクション","スライド9: 日常の「日本音」コレクション",[26,325,326,354,360],{},[29,327,328,330,331],{},[22,329,149],{},":\n",[26,332,333,336,339,342,345,348,351],{},[29,334,335],{},"コンビニの入店音（各チェーンで違う）",[29,337,338],{},"踏切の警報音",[29,340,341],{},"ゴミ収集車のメロディ",[29,343,344],{},"選挙カーの声",[29,346,347],{},"焼き芋屋の「いーしやーきいもー」",[29,349,350],{},"豆腐屋のラッパ",[29,352,353],{},"風鈴の音",[29,355,356,359],{},[22,357,358],{},"なぜ価値がある",": 日本人には当たり前すぎて誰も録らない。外国人には宝の山",[29,361,362,364],{},[22,363,167],{},": それぞれのシーンのスナップショット",[39,366],{},[15,368,370],{"id":369},"同じ場所-同じ時間-毎年フォーマット","「同じ場所 × 同じ時間 × 毎年」フォーマット",[46,372,374],{"id":373},"定点観測カード各スポットで統一","定点観測カード（各スポットで統一）",[70,376,379],{"className":377,"code":378,"language":75},[73],"場所: 仲見世通り 雷門側入口\nGPS: 35.7118, 139.7963\n時間: 毎月第1土曜日 7:00 / 12:00 / 19:00\n機材: [統一する]\nマイク位置: [固定する]\n",[77,380,378],{"__ignoreMap":79},[26,382,383,386],{},[29,384,385],{},"毎年同じ条件で録ることで、変化が「聞こえる」ようになる",[29,387,388],{},"数年後に「2026 vs 2030 仲見世の朝」という比較動画が作れる",[39,390],{},[15,392,394],{"id":393},"youtube映像のアイデア音声だけはng対策","YouTube映像のアイデア（音声だけはNG対策）",[19,396,397],{},"YouTube は静止画1枚だけの動画はポリシー上問題になりうるため、\n最低限の「動き」を入れる必要がある。",[46,399,401],{"id":400},"案1-スローモーション実写映像","案1: スローモーション実写映像",[26,403,404,407,410],{},[29,405,406],{},"スマホで撮った現地映像をスローモーション（50%速度）にして流す",[29,408,409],{},"音声と映像の「ゆるいズレ」がむしろ心地よい",[29,411,412],{},"制作コスト：録音時にスマホで同時撮影するだけ",[46,414,416],{"id":415},"案2-写真スライドショーken-burns-エフェクト","案2: 写真スライドショー＋Ken Burns エフェクト",[26,418,419,422,425],{},[29,420,421],{},"同じ場所の写真をゆっくりパン＆ズーム（Ken Burns効果）",[29,423,424],{},"5〜10秒ごとに写真を切り替え",[29,426,427],{},"制作コスト：写真数枚＋動画編集ソフトで自動生成可能",[46,429,431],{"id":430},"案3-波形ビジュアライザー地図","案3: 波形ビジュアライザー＋地図",[26,433,434,437,440,443],{},[29,435,436],{},"音の波形をリアルタイムで表示",[29,438,439],{},"画面の一角にGoogleマップで現在地を表示",[29,441,442],{},"「今この音がどこで録られているか」が視覚的にわかる",[29,444,445],{},"制作コスト：無料ツール（Sonic Candle等）で自動生成",[46,447,449],{"id":448},"案4-タイムラプス環境音","案4: タイムラプス＋環境音",[26,451,452,455,458,461],{},[29,453,454],{},"録音中に固定カメラでタイムラプス撮影",[29,456,457],{},"人の流れ、雲の動き、影の移動が映る",[29,459,460],{},"音はリアルタイム、映像は早回し → 独特の浮遊感",[29,462,463],{},"制作コスト：スマホ三脚固定で撮影",[46,465,467],{"id":466},"案5-手書き地図アニメーションブランド差別化","案5: 手書き地図アニメーション（ブランド差別化）",[26,469,470,473,476,479],{},[29,471,472],{},"録音スポットの手書きイラスト地図を用意",[29,474,475],{},"音が切り替わるごとに地図上のポイントが光る",[29,477,478],{},"シリーズの統一ビジュアルになる",[29,480,481],{},"制作コスト：初回のイラスト制作のみ。以降使い回し可能",[46,483,484],{"id":484},"推奨の組み合わせ",[26,486,487,493,499],{},[29,488,489,492],{},[22,490,491],{},"メイン映像",": 案1（スローモーション実写）or 案4（タイムラプス）",[29,494,495,498],{},[22,496,497],{},"サムネイル・ブランディング",": 案5（手書き地図）",[29,500,501,504],{},[22,502,503],{},"ショート動画用",": 案3（波形ビジュアライザー）",[39,506],{},[15,508,509],{"id":509},"マネタイズ設計",[46,511,513],{"id":512},"短期01年","短期（0〜1年）",[26,515,516,519],{},[29,517,518],{},"YouTube広告収益（環境音は再生時間が長く、広告単価に有利）",[29,520,521],{},"作業用BGMとしてのリピート再生",[46,523,525],{"id":524},"中期13年","中期（1〜3年）",[26,527,528,534,540],{},[29,529,530,533],{},[22,531,532],{},"ライセンス販売",": 映像制作者・VR制作者向け（Artlist, Pond5等で販売）",[29,535,536,539],{},[22,537,538],{},"写真素材とのセット販売",": 音＋写真＋GPS情報のパッケージ",[29,541,542,545],{},[22,543,544],{},"観光ガイドとのコラボ",": 「音で巡る東京」ウォーキングツアー",[46,547,549],{"id":548},"長期310年","長期（3〜10年）",[26,551,552,558,564,570],{},[29,553,554,557],{},[22,555,556],{},"アーカイブとしての価値",": 「2026年の東京の音」は2036年には貴重な記録",[29,559,560,563],{},[22,561,562],{},"書籍化・展示",": 「東京音景 10年の記録」",[29,565,566,569],{},[22,567,568],{},"教育・研究用途",": 都市音響学、社会学、文化人類学の資料として",[29,571,572,575],{},[22,573,574],{},"NFT・デジタルアーカイブ",": 「2026年三社祭の音」のオリジナル録音データ",[39,577],{},[15,579,581],{"id":580},"機材最小構成","機材（最小構成）",[583,584,585,601],"table",{},[586,587,588],"thead",{},[589,590,591,595,598],"tr",{},[592,593,594],"th",{},"機材",[592,596,597],{},"推奨",[592,599,600],{},"予算",[602,603,604,616,627,638],"tbody",{},[589,605,606,610,613],{},[607,608,609],"td",{},"レコーダー",[607,611,612],{},"ZOOM H1essential or TASCAM DR-05X",[607,614,615],{},"¥10,000〜15,000",[589,617,618,621,624],{},[607,619,620],{},"外付けマイク（オプション）",[607,622,623],{},"バイノーラルマイク（立体音響用）",[607,625,626],{},"¥5,000〜20,000",[589,628,629,632,635],{},[607,630,631],{},"映像",[607,633,634],{},"スマホ（iPhone）+ ミニ三脚",[607,636,637],{},"手持ち機材で可",[589,639,640,643,646],{},[607,641,642],{},"風防",[607,644,645],{},"ウインドスクリーン（屋外必須）",[607,647,648],{},"¥1,000〜3,000",[19,650,651,652],{},"初期投資: ",[22,653,654],{},"約15,000〜40,000円",[39,656],{},[15,658,660],{"id":659},"制作ワークフロー1本あたり","制作ワークフロー（1本あたり）",[662,663,664,670,676,682],"ol",{},[29,665,666,669],{},[22,667,668],{},"現地録音",": 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